CURRENT/UPCOMING

4,543 MILLIARDS. La question de la matière – 4.543 billion. The matter of matter. // CAPC Contemporary Art Museum Bordeaux, June 29, 2017 - January 7, 2018. Curated by Latitudes

HYBRIS. Una posible aproximación ecoestética// MUSAC: Museo de Arte Contemporaneo de Castilla y Leon, Spain, June 17, 2017 - January 7, 2018

Warning Shot // Topographie de l'Art, Paris, July 5 - 27, 2017

Cultural Hijack 2017 // ARCHIP, Prague, June 23 - September 9, 2017

Infosphere // CENART, Mexico City, May 26 – September 3, 2017

The Darkened Mirror: Global Perspectives on Water // San Jose Museum of Art, CA, April 7 - October 8, 2017

Ambiguous Territory: Architecture, Landscape, and the Postnatural // University of Michigan Taubman College Gallery, Ann Arbor, Michgan, September 27 - October 18, 2017

Fleeting Territories // Kunstraum Niederösterreich, Vienna, Opens September 28, 2017

 

RECENT

Evidentiary Realism // Fridman Gallery, New York, NY, February 28 -April 1, 2017

Nature is Worth a Thousand Thoughts, Centro de Desarrollo de las Artes Visuales (CDAV), Havana, Cuba, March 23 - April 30, 2017

Mining Big Data // Hood Museum of Art, Dartmouth University, Hanover, NH, March 24 - April 30, 2017

Living in the End Times // Galerija Miroslav Kraljevic, Zagreb, October 6 - 29, 2016

The Edge of the Earth: Climate Change in Photography and Video // Ryerson Image Centre, Toronto, September 14 - December 4, 2016

Sublime // Centre Pompidou-Metz, France, February 11- September 5, 2016

FUTURUM // Telemark Kunstnersenter, Skien, Norway, April 15 - May 29, 2016

FotoFest 2016 Biennial: Changing Circumstances // Houston, Texas, March 12 - April 24, 2016

Radical Landscapes // diRosa Gatehouse Gallery, Napa, CA, February 6 - April 3, 2016

Up in the Air: Artefact Festival 2016 // STUK, Leuven, Feb 9 - 21, 2016

Infosphere/GLOBALE // ZKM Center for Art and Media, Karlsruhe, Germany, September 15, 2015 - January 31, 2016

Public Works // Mills College Art Museum, Oakland, California, September 16 - December 13, 2015

Open Source // Centre Européen d'Actions Artistiques Contemporaines, Strasbourg, France, June - October 2015

The School of Kyiv - Kyiv Biennial 2015, School of Image and Evidence, October 8, 2015

DUMP! Multispecies - Making and Unmaking // Kunsthal Aarhus, Denmark, June 25 - September 20, 2015

Placing the Golden Spike: Landscapes of the Anthropocene // INOVA, University of Wisconsin-Milwaukee, March 25 - June 13, 2015

Public Smog // Ian Potter Museum of Art, University of Melbourne, Australia, April 10 - May 10, 2015

Rights of Nature // Nottingham Contemporary, January 24 - March 15, 2015

A Sea Change into Lands Rich and Strange // Abrons Art Center, New York, January 28, 2015 - February 25, 2015

Lenin: Icebreaker Revisited // Austrian Cultural Forum, New York, December 11, 2014 - March 9, 2015

Anthropocene Monument // Les Abattoirs, Toulouse, France, October 2014 - January 2015

 

ABOUT

Amy Balkin, Monica Westin, BOMB, July 2015

What Will Have Been: Interviews from A People’s Archive of Sinking and Melting, Dana Kopel, 2013 [Download PDF]

Atmospheric Monument, Ana Teixeira Pinto, Mousse 34, June 2012 [Download PDF]

Art After Nature: The Post-Natural Condition, TJ Demos, Artforum, April 2012, 191-97 [Download PDF]

Forward Looking, Christina Linden, Fillip Issue No.15, Fall 2011 [Download PDF]

The City is a Burning Blazing Bonfire, Fiona Parry, Catalog for Cubitt Gallery, 2011 [Download PDF]

5 Questions (for Contemporary Practice) with Amy Balkin, art:21 blog, Thom Donovan, 2011

Field Effects: Invisible-5's Illumination of Peripheral Geographies, Emily Eliza Scott, Art Journal, Winter 2010

Social Work: Politics, Police, and the Law in Art, Part 1, Matthew David Rana, Art Practical, Issue 6

 

AND

War-Thinking for aCCeSsions No.2: The Overview Effect, CCS Bard, 2016

Draft Tentative List submission for Earth's Atmosphere as UNESCO World Heritage Site, 2012

Future Shack, via Loudpaper. Phil Patiris on Biosphere 2, from Lackluster No.2